Da BBC News del 10/05/2005
Originale su http://permanent.nouvelobs.com/culture/20051102.OBS3932.html
Pasolini death inquiry reopened
Investigators in Rome have reopened the inquiry into the murder of Italian film director Pier Paolo Pasolini in November 1975.
di Benedetto Cataldi
Articolo presente nelle categorie:
It follows statements about the director's death made by the man imprisoned for nine years for his murder and by a close former aide.
Pino Pelosi told a TV station he did not kill Pasolini but three other young people "with a southern accent" did.
Many in Italy have questioned the circumstances of Pasolini's death.
According to Mr Pelosi's new version of events - given in an interview to state broadcaster TV Rai Tre on Saturday - on 2 November 1975, three unnamed men beat Pasolini to death on a beach in the deprived Rome suburb of Ostia, shouting abuse and insults such as "dirty communist".
High-profile figure
Pasolini was a high-profile Marxist intellectual and many in Italy at the time believed this was a political murder, rather than a case of events spinning out of control in Rome's homosexual underworld - the version endorsed by subsequent inquiries.
But Sergio Citti, a film director who worked with Pasolini closely, has given yet another version of the events in an interview with the Rome daily newspaper La Repubblica.
According to Mr Citti's claims, five men murdered the director 30 years ago.
He said: "Pino Pelosi was only a boy. He acted as a bait for those five. They only used him, they needed somebody to blame for the crime.
"Pelosi had to play the game played by these people, the 'respectable' people who ordered the murder".
According to Mr Citti, who says he has a source who knows the truth about the murder, Pasolini was murdered elsewhere and then his body dumped on the beach near Rome where he was found.
He also believes the Pasolini murder was a political conspiracy: "His death was convenient to many, to all those who were afraid of his mind and free spirit."
Violent decade
The 1970s were a violent decade in Italy, with opposing groups of neo-Fascists and communist guerrillas committing many murders and several other atrocities exclusively in the name of ideology.
Pasolini is also thought to have received death threats from neo-Fascists over his last film, Salo, or the 120 Days of Sodom. It depicted a perverse wartime Fascist state in northern Italy led by Benito Mussolini.
The new allegations have also caught the attention of the political world.
A group of 30 MPs has presented an interrogation in parliament to ask Prime Minister Silvio Berlusconi what steps he intends to take.
Meanwhile, the Rome municipality is presenting itself as a plaintiff in the new investigation.
Rome Mayor Walter Veltroni, a left-winger, has said that "Pelosi's statements rekindle doubts and questions which the poet's friends, many intellectuals and a good part of the public opinion have always had on what really happened that night".
Pasolini was an all-round intellectual, not only a film director: he was also a well-known poet, novelist, journalist, playwright.
But outside Italy he is remembered especially for his gritty film-making.
He is often though to be the last giant of the golden age of Italian cinema in the post-war years, and his name his often mentioned in the same breath as artists such as Visconti, Fellini, Rossellini and De Sica.
Pino Pelosi told a TV station he did not kill Pasolini but three other young people "with a southern accent" did.
Many in Italy have questioned the circumstances of Pasolini's death.
According to Mr Pelosi's new version of events - given in an interview to state broadcaster TV Rai Tre on Saturday - on 2 November 1975, three unnamed men beat Pasolini to death on a beach in the deprived Rome suburb of Ostia, shouting abuse and insults such as "dirty communist".
High-profile figure
Pasolini was a high-profile Marxist intellectual and many in Italy at the time believed this was a political murder, rather than a case of events spinning out of control in Rome's homosexual underworld - the version endorsed by subsequent inquiries.
But Sergio Citti, a film director who worked with Pasolini closely, has given yet another version of the events in an interview with the Rome daily newspaper La Repubblica.
According to Mr Citti's claims, five men murdered the director 30 years ago.
He said: "Pino Pelosi was only a boy. He acted as a bait for those five. They only used him, they needed somebody to blame for the crime.
"Pelosi had to play the game played by these people, the 'respectable' people who ordered the murder".
According to Mr Citti, who says he has a source who knows the truth about the murder, Pasolini was murdered elsewhere and then his body dumped on the beach near Rome where he was found.
He also believes the Pasolini murder was a political conspiracy: "His death was convenient to many, to all those who were afraid of his mind and free spirit."
Violent decade
The 1970s were a violent decade in Italy, with opposing groups of neo-Fascists and communist guerrillas committing many murders and several other atrocities exclusively in the name of ideology.
Pasolini is also thought to have received death threats from neo-Fascists over his last film, Salo, or the 120 Days of Sodom. It depicted a perverse wartime Fascist state in northern Italy led by Benito Mussolini.
The new allegations have also caught the attention of the political world.
A group of 30 MPs has presented an interrogation in parliament to ask Prime Minister Silvio Berlusconi what steps he intends to take.
Meanwhile, the Rome municipality is presenting itself as a plaintiff in the new investigation.
Rome Mayor Walter Veltroni, a left-winger, has said that "Pelosi's statements rekindle doubts and questions which the poet's friends, many intellectuals and a good part of the public opinion have always had on what really happened that night".
Pasolini was an all-round intellectual, not only a film director: he was also a well-known poet, novelist, journalist, playwright.
But outside Italy he is remembered especially for his gritty film-making.
He is often though to be the last giant of the golden age of Italian cinema in the post-war years, and his name his often mentioned in the same breath as artists such as Visconti, Fellini, Rossellini and De Sica.
Altri articoli in archivio
di AA.VV. su Le Nouvel Observateur del 02/11/2005
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di Riccardo Bagnato su Vita No Profit del 31/10/2005
|
I giudici non credono alle rivelazioni di Pelosi
Pasolini, la procura dice no alla riapertura dell'inchiesta I legali della famiglia: obbligatorio intervenire di Elsa Vinci su La Repubblica del 08/05/2005
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L'uomo condannato per il delitto rievoca, stasera su Raitre, quella tragica notte di trent'anni fa all'Idroscalo di Ostia
Pasolini, rivelazione di Pelosi: "Non sono stato io a ucciderlo" "Pino la rana" riapre il caso: altri tre ragazzi lo massacrarono di Giovanni Maria Bellu su La Repubblica del 07/05/2005
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In aula magistrati che erano ragazzi al tempo dell´attentato. Per un processo logorato dal tempo
I 35 anni del processo dalle nebbie alle prove di Giovanni Maria Bellu su La Repubblica del 29/04/2005
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di Adriano Sofri su Corriere della Sera del 03/11/2000
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di Giorgio Galli su La Repubblica del 28/03/1978
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di Oriana Fallaci su L'Espresso del 14/11/1975
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La storia e la personalità di Pier Paolo Pasolini raccontate da Giovanni Testori
A rischio della vita di Giovanni Testori su L'Espresso del 09/11/1975
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La storia e la personalità di Pier Paolo Pasolini raccontate da Umberto Eco
Perché non sempre eravamo d'accordo di Umberto Eco su L'Espresso del 09/11/1975
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La storia e la personalità di Pier Paolo Pasolini raccontate da Alberto Moravia
Ma che cosa aveva in mente? di Alberto Moravia su L'Espresso del 09/11/1975
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La storia e la personalità di Pier Paolo Pasolini raccontate da Cristina Mariotti
In quel mucchietto di stracci insanguinati di Cristina Mariotti su L'Espresso del 09/11/1975
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di Valerio Riva su L'Espresso del 09/11/1975
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Documenti
|
Il processo a Pino Pelosi per l'assassinio di Pier Paolo Pasolini
Cronologia degli eventi processuali |
|
Il processo a Pino Pelosi per l'assassinio di Pier Paolo Pasolini
01. Interrogatorio dell'imputato Pino Pelosi |
Libri consigliati
di AA.VV. edito da Kaos Edizioni, 1992
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di AA.VV. edito da Garzanti Libri, 1977
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di Annamaria Guadagni edito da L'Unità, 1994
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Citazioni
Pier Paolo Pasolini
"Non vi è dubbio che la televisione sia autoritaria e repressiva come mai nessun mezzo di informazione al mondo. Il giornale fascista e le scritte su cascinali di slogans mussoliniani fanno ridere. Il fascismo, voglio ripeterlo,non è stato sostanzialmente in grado nemmeno di scalfire l'anima del popolo italiano: il nuovo fascismo, attraverso i nuovi mezzi di comunicazione e d'informazione, non solo l'ha scalfita, ma l'ha lacerata, violata, bruttata per sempre".
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Pier Paolo Pasolini
"Basta ai giovani contestatori staccarsi dalla cultura, ed eccoli optare per l’azione e l’utilitarismo, rassegnarsi alla situazione in cui il sistema si ingegna ad integrarli. Questa è la radice del problema: usano contro il neocapitalismo armi che in realtà portano il suo marchio di fabbrica, e sono quindi destinate soltanto a rafforzare il suo dominio. Essi credono di spezzare il cerchio, e invece non fanno altro che rinsaldarlo."
Saggi sulla politica e sulla società |
Sullo stesso argomento
Articoli in archivio
di Pasquale Colizzi su L'Unità del 10/11/2005
di AA.VV. su Le Nouvel Observateur del 02/11/2005
di Riccardo Bagnato su Vita No Profit del 31/10/2005
News in archivio
RETROSCENA Mentre viene riproposta l’edizione «purgata»
Così Pasolini censurò i suoi Ragazzi di vita
Ecco i passi scabrosi del romanzo che Garzanti chiese di cancellare
Così Pasolini censurò i suoi Ragazzi di vita
Ecco i passi scabrosi del romanzo che Garzanti chiese di cancellare
su Corriere della Sera del 22/01/2006
La morte di Pasolini nel filmato del ’75: un documento per riaprire il caso?
Proiettata la controinchiesta di Citti sull'omicidio Pasolini
Proiettata la controinchiesta di Citti sull'omicidio Pasolini
su Corriere della Sera del 18/01/2006
su Ansa del 25/11/2005